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Former L.A. Times crime reporter Corwin (Homicide Special: Annually with the LAPD's Elite Detective Unit) introduces an engaging Jewish police detective in his first novel, a grittily realistic story of murder, stupidity, and redemption. Ash Levine, the LAPD's top detective, resigns after his suspension for failing to prevent the death of your key witness he was likely to protect. A year later, Ash's former boss invites him to steer the investigation into an ex-cop's murder. Levine returns for the force, hoping to reopen true that cost him his job, though not everybody inside department is thrilled to determine him back. A jazz lover (hence the Miles Davis–inspired title), the son of an concentration camp survivor, along with a veteran in the Israeli Defense Forces, Ash battles through departmental interference, corruption, and misdirection. Given his strong debut, Ash should return for the job for further assignments. (Nov.) (c)
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*Starred Review* Eleven months after he leaves the LAPD, Ash Levine, formerly the most notable detective inside the elite Felony Squad, is lured back to solve the murder of ex-cop Pete Relovich, which interests department brass for the reason that victim also was the son of a cop. But Levine is motivated through the opportunity to go back to a different case, the one which triggered his suspension and ultimate resignation and that still haunts him: the murder of his witness, Latisha Patton, whom he was not able to protect. Levine is really a dogged, intuitive detective who doesn’t rest when details don’t make sense, but there’s more to him than his work. He’s a man having a stereotypical Jewish mother who’s susceptible to women he meets in the investigations; he has flashbacks to his combat while using Israeli Defense Force in Lebanon; anf the husband is soothed by Miles Davis’ jazz (hence the allusion inside the novel’s title). Former LA Times crime reporter Corwin, whose unfettered use of LAPD units provided the information for such nonfiction are Homicide Special (2003), clearly knows the technical stuff. His procedural details are spot-on, but he also knows how to generate adrenaline-producing action, and he gets to the very heart and soul of his multifaceted protagonist. This fine first novel marks the arrival of the strong new voice in hard-boiled crime fiction. --Michele Leber
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